To See & Do
Aurangabad, like most Mughal-trodden spots on the Indian map, is two-faced. The old wrinkles of a bygone era enhance the youthful flush of this tourist-driven economy, like the rambling fort wall of the city or the sun-bleached dargahs that promise to be the keepers of more of the prodigious history that sustains this city. The age-pocked walls of the old city, erected by Aurangzeb, can be sighted from the car itself by lazy archaeologists.
You could drive around the new city of Aurangabad in less than an hour. After you're done within, head out in history.
|
|
|
Get your bearings |
|
|
|
| |
Roads lead out of Aurangabad to some of India?s most important sites of heritage and natural wealth. The Ellora Road (Mumbai Road) leads west out of the city, taking you to Daulatabad Fort and the Buddhist caves of Ellora and Pitalkhora. The Paithan Road, south of Aurangabad Station leads past Bidkingaon and Dhorkingaon to ancient Paithan on the banks of the Godavari. A number of sights are off the Jalgaon Road leading northwards out of Aurangabad. Take this road to get to the Ajanta Caves, all the way to Fardapur via Sillod. Ajanta is off the state highway to the left, Fardapur is to the right. For Lonar, head dead east past Chikalthana Airport on the Jalna Road.
Be sure not to confuse Jalna Road with Jalgaon Road and vice versa.
|
|
|
|
Bibi-ka-Maqbara |
|
|
|
| |
This elegant structure, which the locals proudly call Twin of Taj Mahal and outsiders call Poor Man?s Taj, was built by Aurangazeb?s son Azam Shah as a tribute to his mother Begum Rabia Durani. Bibi-ka-Maqbara can be quite a trek into nostalgia, well-preserved and retaining the luminosity of all Mughal structures. The marble?s ivory shade and the geometric designs still survive despite the intermittent vandalism of the decades. The monument?s delicate minarets preen in the sky, while close by the pretty mosque declares the Mughal heritage louder than a muezzin?s call. Sunheri Mahal completes the pretty picture with its remnants of a grandeur that refuses to fade.
Entry fee & timings: Rs 10 (Indians), Rs 100 (foreigners); 8 am-6 pm.
|
|
|
|
Panchakki |
|
|
|
| |
Another pretty picture is this water-wheel, with a healthy ecology of its own! Large khol fish glide gracefully in a tank that was part of a snazzy engineering marvel in those days, built by the slave-king Malik Amber. Water, drawn from a reservoir 6-km away, was drawn into a tank ? and an elaborate assemblage of ceramic pipes and an iron fan churned the water to create energy used by the flour mill to grind grain for pilgrims. This spot on the left bank of River Kaum was also selected as the burial shrine of Baba Shah Musafir, Aurangzeb?s favourite saint. In its ordinary red marble structure it shares the attributes of severe austerity so true of Aurangzeb himself.
Entry fee & timings: Rs 5 (Indians), Rs 100 (foreigners); sunrise to sunset. Cameras Not allowed.
|
|
|
|
City ruins |
|
|
|
| |
For romantic tourists, for whom ruins have more than a macabre interest, Aurangabad is strewn with such reminders. The years have battered down the old city?s walls with even greater force than the attacks of the Marathas. The Delhi, Jalna, Paithan and Mecca darwazas have withered with age, as too the nine gateways. Rubble is all that remains of complexes like Naukonda Palace, Killa Arak, Damri Mahal and the Baradari Iwaz Khan Aqueduct.
|
|
|
|
Places of worship |
|
|
|
| |
Scattered in and around the old city these masjids and dargahs, because of continued usage, are better preserved. Jama Masjid takes the lead, having been favoured by both the Nizams and the Mughals. The Shah Ganj Masjid rises majestically against the clutter of the market, the metal spire looms over the Chauki-ki-Masjid (built by Aurangzeb?s uncle) while the emperor?s tutor lies buried in Dargah of Pir Ismail in the north of the city.
|
|
|
|
Bani Begum Gardens |
|
|
|
| |
These elegant gardens, about 24 km from Aurangabad, house the tomb of Bani Begum, the consort of one of Aurangzeb?s sons. Built in various styles, equipped with massive domes, fountains and fluted pillars, these gardens are a fine specimen of Deccan-influenced Mughal architecture.
|
|
|
|
Aurangabad Caves |
|
|
|
| |
Though these caves, situated a couple of kilometres north of the city, always lose out to the splendour of Ajanta and Ellora, their place in the annals of Buddhist art cannot be discounted. It is also a good spot from which to view the Bibi-ka-Maqbara shimmering 2 km away. There are 10 caves, split into east and west wings, with the fourth and also the oldest among them, belonging to the Hinayana phase of Buddhist architecture. Though the caves show different degrees of wear and tear, friezes from the Jataka tales and other artwork survive. Cave 5 is particularly interesting, where the Buddha has been painted over as a tirthankara by the Jains.
Entry fee & timings: Rs 10 (Indians), Rs 100 (foreigners); 9 am-5 pm .
|
|
|
|
Daulatabad |
|
|
|
| |
Also called Devagiri, Daulatabad was always a coveted stronghold as it passed through the hands of different empires. But it is most remembered as the Great Folly of Delhi Sultan Muhammad-bin-Tughlaq, who forced his subjects on a long and arduous trek across the North Indian plains and into the Deccan Plateau, to populate his new capital Daulatabad. Just a few years passed and they were forced to make the trek back, when the monarch decided that life on a hot and dusty plateau was far worse than hot and dusty Delhi.
Check out the free-standing Jama Masjid close by, its companion Chand Minar and take a peek into Chini Mahal.
MTDC is very organised in Aurangabad, so you can always catch a bus to Daulatabad if you are scrimping (Rs 85 to and from, with guide). ITDC also has a similar service at Rs 125. But the most hassle-free way to travel is to hire a private vehicle ? Rs 1,200 approx, to and from the fort; a city sightseeing package for Rs 2,000 for the day covers trips to the Ellora caves, Daulatabad Fort and Aurangabad.
Entry fee & timings: Rs 5 (Indians), $5 (foreigners); 9 am-6 pm.
|
|
Content Source:
Outlook Traveller
Contributed by:
Shameem Akthar
and Lesley A Esteves
|