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Udipi
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(Karnataka)


India's favourite kitchen

Pineapplepudding upma buns biskutrotti idli wada mysorebonda golibaje masaladosa sadadosa plaindosa setdosa Outlookmasala papermasala buttermasala parota puri ravaidli bulletidli pulao dahiwada masalawada kaiholige badamhalwa pushmandahalwa godihalwa mysorepak saat gulabjamun gatti - kadubu...

Narayan Rao lets loose a polysyllabic stream, which to the untrained ear could sound like the spontaneous expression of emotion under a very trying circumstance.

But it is just another peaceful afternoon in the life of the 58-year-old waiter, in a land that gave rise to food evangelism. Here, even on a day when the rain bounces off the stony roofs of temples, streaming down red-tiled two-storeyed structures, people make time for their gods and for their food. The fervour is catching and you are held in Rao's thrall for as long as he takes to complete his litany. It must take some divine assistance to chant without once coming up for air. If proprietor Achuth Holla is to be believed, this is just one among the thousand-odd times that he recites the menu mantra each day.

So where do the gods come in? Well, for Holla and the handful who thrive in the shadow of the gods on Car Street, nothing moves till the Almighty does. At 4:30 am everyday, after the rath makes its way towards the Krishna Temple, shutters come up and food makes its way to a plate in a time-honoured ritual.

According to lore, Udupi is part of the belt that Krishna reclaimed for himself from the belly of the sea. Its station as a celestial abode is announced at the threshold of the town itself as you drive through an intricate gateway, decorated with divine figures. In a matter of minutes, you touch Car Street. This street is almost garland shaped, a snug fit around the shoulders of the three temples Chandramoulishwar, Ananteshwar and Krishna that have given Udupi its elevated status. Milling around Car Street are the Ashthamatha, the eight monasteries anointed by saint-philosopher Madhavacharya, to administer the Krishna Temple.

The name Udupi has two origins: Udupati, which means Lord Shiva who wears the moon, or a place situated on the edge of rice fields. Both descriptions are accurate. For the two-hour drive from Mangalore on the well-paved coastal stretch of NH17 into Udupi is dominated by a lush stretch of paddy fields, their sway occasionally halted by the flow of serene backwaters, coconut groves and freshly painted stone bridges.
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The Temples
  Ananteshwar and Chandramoulishwar are Udupi's aajya, or grandfather temples, and every ceremony at the more famous Krishna Temple begins with a mandatory visit to them. Ananteshwar is the temple where a childless couple implored the gods to bless them with a son. He was to be the Madhavacharya, the 13th century philosopher-saint who grew up to be the proponent of the Dvaita philosophy. The Ananteshwar Temple is also where Madhavacharya was schooled in the vedas and eventually embraced asceticism. While the origins of the two temples of Ananteshwar and Chandramoulishwar have merged with time, the Krishna Temple is around 800 years old. Keep an hour aside to walk through its faith-soaked walks. The Krishna Temple holds an idol of the child Krishna that miraculously appeared to the Madhavacharya in a dream. The idol was commissioned in Dwarka by Rukmini, Krishna's consort, to capture his boyhood. Later on, it made its way disguised as a weight on a merchant's ship. The ship sank and through intuition, Madhavacharya was able to retrieve it. The saint then appointed eight priests to administer to the temple, each running it for a period of two years. Each of these priests represent the Ashthamatha, or the eight maths, which are ranged around Car Street. The hand-over ceremony takes place on January 18 and is called the Parayaya Ceremony. The Krishna Temple, which throbs with the devotion of centuries, also has a Kanakadasa Window. As the story goes, Lord Krishna, moved by the faith of Kanaka, a low-caste worshipper, turned westwards to allow him an unhindered darshan. Not very far is the dwelling for the chariots, three of them gold, silver and wood drawn during ceremonies.

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Pajaka
  This is the house where Madhavacharya was born, and is well worth a visit. Traces of his life and times still exist in the house.

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Manipal
  What food is to Udupi, education is to Manipal. This town, which was nothing but a series of barren hills, now lives the high life of student culture. It is young and throbs with a sense of purpose. But tradition also has a strong voice in Manipal. Hast Shilpa is a stunning wooden house with a central courtyard embraced by rooms housing antiques painstakingly gathered over the years from across the country. It also functions as a time machine, encapsulating the work, the objects, the life and the homes of several centuries under one roof. Amongst the rare objects preserved in this home, built along the lines of vastu shastra, are utensils in which rice stays fresh for five years and a 280-year-old bell-metal vessel in which curd and buttermilk remains unspoilt for over a week. The passion and brainchild of a former banker Vijaynath Shenoy, Hast Shilpa was his residence till thronging tourists compelled him to move into a less ornate abode. Hast Shilpa is presently being refurbished and will soon open its doors once more to visitors interested in antiques and ancient architecture. It is a must-see. If you want to know more about this and the Heritage Village project, contact Vijaynath Shenoy in Manipal (Tel: 0820-2572061, 9845229701). Equally dazzling is the Heritage Village, fostered by the public response to Hast Shilpa, a project likely to shock and awe the history-hungry tourist by its sheer scope and ambition. About 1 km away from Hast Shilpa and spread over 6 acres, the village is enriched by the 600-year-old Jungama Mutt Puchamoru, the Hungarkatta Bandsale Mane and the turn of 19th century Kunjur Chowkimane. More ancient homes are in the process of being restored and the village will eventually allow visitors to access the past through its eight museums, theatres, studio and galleries.
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Outlook Traveller
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Saira Menezes
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